I HAVE THE SOLUTION FOR 'OLD EYES'!
I started a small company that does vision correction for shooters and makes triggers. I'm a retired engineer who studied some optics, and was an amateur photographer, so when I was in my early 40's and my eyes went and my rifle scores plummeted, I started to look at what was going on. Once I figured out the parameters to model the human eye as a camera lens, I realized all the photography formulas for calculating exposure and depth of field could be applied to actually calculate what was going on and how to control it. Funnily enough, photographers get this instantly as soon as you describe the concept. However eye doctors typically do not, because the human eye is always focusing dynamically, it almost never uses depth of field control. So while the optical physics of depth of field is something eye doctors will have studied, they never needed to apply it, so it is far from their thoughts.
Shooting is the only human vision activity I have found where you are trying to focus on a near object (your front sight) and a far object (the target) at the same time. The way your eye used to do this is by focusing between them. In optical physics, a lens only has one perfect focal distance. However there is a resolution limit to the photo receptors on your retina (think pixels). If you take an object that is at the perfect focal length of a lens, and move it slightly further away, it will develop a blur line around it. However if that blur line is thinner than the distance between two 'pixels' on your retina, you cannot see the blur, so to your brain it is still in perfect focus. Same is true if you move the object slightly closer than the perfect focal distance. Bottom line is that your eye does not have one perfect focal distance, but there is some range from slightly closer than your focal point to slightly further than your focal point where everything appears in perfect focus. This range is referred to as your 'Depth of Field'.
How big that depth of field is, is determined by the aperture size you are looking through. Smaller apertures give bigger depth of field. With your eye, the aperture is your pupil. If you put a smaller hole in front of your pupil, it is the smaller hole that dominates, so this is why merit disks stuck on your glasses for pistol, or peep sights on a rifle work. This is also why you cannot read the goddam menu in a dim restaurant, because in dim light your pupil expands, and your depth of field diminishes. If they turn up the lights your pupil constricts and you can focus better.Also the same reason people have trouble driving at night, but not during the day.
Where the depth of field is centered is driven by lens power, which used to be the internal adjustment your eye could make, or else it is the power of the lens in your glasses.
So there are two factors: aperture controls the size of the depth of field range; lens power determines where the depth of field range is centered.
What do you want for shooting? You want your depth of field range to go from your front sight to your target, so both are in focus. So you want your lens power to be half way between them, and you want your aperture small.
The problem with the human eye is that as we get older, the lens starts to lose its flexibility, so the internal focusing system loses its adjustment range. The relaxed human eye will focus at infinity, and you have to exert the ciliary muscle in your eye to pull your focus in close. As we age and the lens gets hard, the ciliary muscle cannot pull focus in close enough to read, or for intermediate distances it can still focus close, but can only hold the focus close for a few seconds before the muscle fades. This is why you either cannot see the front sight, or can only see it for a few seconds.
For reading, we have developed the solution of reading glasses and bifocals because the distance to read at is well known at about 18-20", and because there are millions of people who need this, so there is a market. For shooting, the optical physics and math are exactly the same, but the market was never big enough for the right people to pay attention and solve the formula. This is where I had my epiphany and applied the photography formulas.
In photography, the point of focus that falls half way between a near object and a distant target is called the HYPERFOCAL distance, and it can be calculated, and from there the required lens power can be calculated. Without actually going through the math in a post, the answer for a pistol with iron sights is that you want to add +0.75 diopters to your distance vision (which is a few steps less than the weakest reading glasses). Or if you are 20/20 for distance, you just want a +0.75 lens. Effectively, adding +0.75 is what your brain/eye used to do when you were young, because the brain just looked for the best overall focus. Now that you cannot adjust your eye in that close, you can get the same result by adding a supplemental +0.75 lens in your glasses.
You do NOT want to shoot with progressive lenses - get a single vision lens for shooting. Reason was mentioned briefly above, which is consistency. Progressive lenses (ie no-line bifocals) have a progressive focal length through the lens, so as the lens shifts on your face, or you tilt your head, your focal point will vary and your point of impact will drift. If you do want to get a bifocal, get an old fashioned bifocal with a line, and make sure your ADD power is +0.75.
As a cheap start, I had a safety glasses manufacturer make me safety glasses that have +0.75 molded in. They work great for $25, but the lens quality is your standard molded safety glasses quality. It works, but you can do better with a decent pair of eyeglasses. Best I can do on a pair of single vision glasses for someone is about $60 including AR coating, but your local Wal-Mart eye doc can possibly do better. Just remember, you want single vision glasses with your distance correction with an ADD of +0.75 (that is the eye doc term for adding power to shift your focus close). I'm happy to consult with anyone that has a prescription and isn't sure how to adjust it - email me at art@shootingsight.com
As an aside, few people know what diopters actuially are, but it is simple and useful to know. Diopters are the inverse of the lens focal length, in meters (yah, the fact that it is metric makes it confusing). Here is how it works: a 2.00 diopter lens will focus at 1/2 meters. A 3 diopter will focus at 1/3 meters. You can go fractional as well: 1/2 diopter will focus you a 2 meters, and 0.75 diopters (3/4) will focus you at 4/3 meters, or 1.33 meters.
So with a calculator (meters/0.0254 = inches; inches * 0.0254=meters) you can take a task, measure the distance from your eye to the task, and figure out what power reading glasses are ideal. Reading is 20" from you, that is 0.508 meters away, so 1/2 meter. That means for reading you want +2.00 diopter lenses, or if it is 18" it works out to +2.25. Working on small stuff right in front of my nose is about 12" away, which is 1/3 meter, so +3.00 diopters. Watching TV across the room is 8 feet away, about 2 meters, so I need 1/2 diopter - +0.50. Working on my lathe is about 1 meter away, +1.00 diopter. My computer monitor is 24" away - 1.65 diopters, so I could go +1.50 or +1.75. Usually, you round down, because your eye muscle can add power.
The benefit of this is that by using the correct glasses your eye muscle stays relaxed and does not fatigue.
Bottom line: for irons on pistol and carbines, like the AR, you add +0.75, for long rifles, like M1, M14, likely for trap guns, you only add +0.50.
Also, I take self adhesive aluminum tabs and drill 1/16" holes in them. You can stick one on your glasses and you will be amazed at the improvement in focus, just because your depth of field is increased. You ideally want both an increase of DoF, and a lens to get it properly centered, but if you do just one or the other it will still help. So these patches are one step, not a complete solution. Anyhow, I give these things away for free. If anyone wants one, email me with your mailing address and I'll drop one in an envelope for you.
Art Neergaard
ShootingSight.com